Gorgon's head
on a silver coin
|
Classics
215:
Mythology
Fall 2011
|
The god Apollo
on a gold coin of Syracuse
image courtesy
of Edgar
L.
Owen, #3803
|
Instructor:
Dr. Victor A. Leuci
Texts:
Barry Powell. Classical
Mythology. 7th. Ed. Englewood Cliffs, NJ: Prentice Hall.
2012. Print. (but the 6th ed. is also acceptable)
Website accompanying
Powel's text: www.prenhall.com/powell
Scott Leonard &
Michael McClure. Myth and Knowing. Boston: McGraw
Hill. 2004. Print.
Objectives: The purpose of this course is 1) to introduce you to
principal myths of Greece, Rome, northern Europe, India,
China, the Near East, the Amerindians, and others, and 2) to
explore the functions and patterns of myth in various ancient
and modern cultures. An important goal of the course is
to develop a critical perspective that will allow you to
compare the myths of different groups of people and to
perceive the way in which certain mythic patterns seem to be
universal in scope and others to be culturally specific.
In essence, everyone in the class should strive to become
adept at listening to, reading, telling, and interpreting
traditional tales.
Relationship
to the General Education Curriculum (Tier II: Artistic Expression and Critical
Appreciation Context-course in literature). Mythology is a key
backdrop to all Greco-Roman art and literature, as well as the
literature, written and oral, of almost all cultures, so the
material studied will, by definition, be representative of
significant movements and periods, as well as key themes and
figures. As stated in the Objectives above one goal of the
course is to develop a critical perspective which will involve
developing the students’ ability to analyze and discuss the
material using key terminology and a variety of approaches.
Understanding a society’s mythology is often essential in
understanding that society and its concommittant culture since
cultures often use myths as a key way of examining the human
condition. Thus through this study of mythology, students will
explore the relationship between art and society in order to
gain insight into cultural aspects of society and develop a
perspective that enhances understanding of the human
condition. A study of mythology, with the importance of
reading parts of significant works of literature and looking
at how mythology was a key mover in the arts in general,
cannot but help to promote an appreciation of the arts.
Writing Intensive Option:Different
types of writing will be part of the course: short papers and
exams that are predominately essay (1 of which must be the
take-home versions). 6 short papers will be assigned as a
means to help participants come to a better understanding of
important themes, ideas, and concepts. The first 3 short
papers will be revised on the basis of a conference with me. 1
of the short papers must be revised on the basis of a
conference with a tutor at the Writing Lab. A critique and
conference after the completion of a paper may also occur. Note: when turning in the
final copy of a paper, the draft with comments by me and/or
the writing lab must be turned in at the same time--it goes
without saying that the final paper must be revised based on
the comments and conference(s) on the draft(s). In general, participants in
the class should highly consider using the services of the
Writing Lab and especially the Lab tutors, who can be of
tremendous assistance. To summarize:
- 3 papers
revised with me
- 1 paper
revised with Writing Lab tutors
- 1 exam as
take-home version
Format:
The course will consist of both lectures and
discussion. More than two unexcused absences will be
considered excessive, and no make-up work will be accepted for
unexcused absences.
Grading:
- Exams: 4
total, 70 points each; your lowest score will be dropped.
- Papers: 6
total; 600-1000 words in length; 30 points each; your lowest 2 scores will
be dropped. These may form an important part of class
discussion. Extra option: count all 4 exam scores and 2
paper scores (i.e. dropping 4 papers but keeping all 4
exams).
- Final: The final is exam 4 (see
above).
- Class
Participation: 30 points; may (or may not) include
posts in class discussion folder
Honor Code: All students and faculty must adhere to
the Honor Code; please see the Student Life Handbook for the
full description of the Honor Code--p. 21 in the Student
Life Handbook gives a short definition: "No Westminster
student shall commit any act of academic dishonesty in order
to advance her or his own academic performance, or to impede
or advance the academic progress of others," but the sections
on plagiarism and cheating are especially important (see Honor
Commission Constitution, Article IX).
College Wide Policies
and Procedures: check pdf in ANGEL or the Student Life
Handbook for the following: ADA/Equal
Access Policy, Policy on Harassment and Discrimination,
College Duty, Emergency Procedures.
Exams:
- In-class
version: The exams will be a combination of fill-in the
blank and/or matching (20 pts) and one essay (50 pts). The
essay must be well written in standard multiple paragraph
format and replete with pertinent facts to support your
thesis (or theses). The length
for the essay should be 400-600 words --i.e. one to two full
pages depending on how large you write, what type of margins
you use, etc. -- but the key is an essay with a good thesis
and good supporting facts. A review sheet will typically be
available as a link from the syllabus one week before the
exam as an aid in your preparation. One of your exams (that
counts) must be an in-class exam.
- Take-home
version: You may choose a take-home option on exams
2-4. This will involve writing either one 1200-1800 word
essay or two 600-1000 word essays. The topics for these
essays will be provided along at the same time and places as
the review sheet for the in-class exam.
Short Papers:
- Content: Each short paper will
focus on a specific question based on your readings or
possibly on a web site. The questions will typically be
narrow in focus, and your paper should follow suite. The
thesis you maintain in your paper should be supported with
facts from the readings and from quotes where appropriate,
both the facts and the quotes need citations. The paper,
however, should not be one long quotation.
- Formatting:
- Header:
start with a simple heading at the top of the page giving
your name, course number, the number of the assignment
(e.g. Paper #6), a word count, etc.
- Citations:
see
post in Moodle with examples for your aid.
- Spacing
& Font: you may use any font, point size, or
line spacing that you want--within reason--though
single-spaced will save paper.
- Submission:
A paper copy is due at the beginning of the class period. An
electronic copy of each paper is also required and should be
submitted within 24 hours of the due date for the paper
copy; note that there is a two letter grade deduction for
failure to submit an electronic copy.
Attendance:
Regular attendance and participation are
essential for the success of the whole class. More than
two unexcused absences will be considered excessive, and no
make-up work will be accepted for unexcused absences. Each
unexcused absence past three will result in a deduction of 4
points from the total number of points one has at the end of
the semester. If you are ill, e-mail me before class, if
possible, or as soon as you are able.
Assignments:
The assignments given below are not
"set-in-stone," and may vary depending on how each class
period goes. The syllabus will be updated as needed.
Units I & II: Creation Myths & Divine Myths
- Reading
Assignments (click here for
specific due dates):
- Powell: Ch. 1,
4-10 & selections from 23
- Leonard &
McClure: selections from Ch. 2-5
- Palaima: check
back later
Units III & IV:
Legends
- Reading
Assignments (click here for
specific due dates):
- Powell: selections from Ch.
12-21 & 23
- Leonard &
McClure: selections from Ch. 3 & 6
- Palaima: check
back later